Erik Rhodes: A Versatile Talent of Early Twentieth Century Stage and Screen
Erik Rhodes was an actor known for his comedic timing and memorable character roles on both Broadway and in Hollywood during the early twentieth century. Best known for his roles in the classic Fred Astaire and Ginger Rogers musicals, Rhodes also enjoyed a successful career on Broadway. This blog delves into the life and career of Erik Rhodes, highlighting his significant contributions to the world of entertainment.
Early Life and Career Beginnings
Erik Rhodes was born Ernest Sharpe on February 10, 1906, in El Reno, Oklahoma. From a young age, he showed an interest in the performing arts. He majored in Modern Languages and drama at Oklahoma University and was fluent in Italian, German, Spanish, and French. After completing his education, Rhodes moved to New York City to pursue a career in acting. His early years in New York were spent studying voice on a scholarship and working in Broadway productions such as The New Yorkers (1930) and The Little Show (1929).
Broadway Breakthrough
Rhodes' big break came when he was cast in the Broadway musical Gay Divorce, which opened in 1932. The show, featuring music and lyrics by Cole Porter, was a critical and commercial success. Rhodes played the role of Rodolfo Tonetti, a charming but bumbling Italian gigolo. His performance was a standout, earning him praise for his comedic timing and distinctive delivery.
Gay Divorce was notable for several reasons, not least of which was the presence of Fred Astaire in the lead role. Astaire's performance and the show's success helped propel him to Hollywood stardom, but Rhodes' portrayal of Tonetti was equally memorable. His character's catchphrase, "Your wife is safe with Tonetti, he prefers spaghetti," became a popular line and showcased Rhodes' flair for comedy.
The success of Gay Divorce laid the foundation for his transition to Hollywood, where he would achieve even greater fame. Rhodes would later return to Broadway after serving in the US Air Force in military intelligence in World War II.
Hollywood Stardom: Astaire and Rogers Films
In the mid-1930s, Erik Rhodes made the move to Hollywood, where he reunited with Fred Astaire for a series of classic musicals co-starring Ginger Rogers. These films are considered some of the greatest musicals of all time, and Rhodes' performances in them are fondly remembered by fans and critics alike.
The Gay Divorcee (1934)
Rhodes reprised his role as Rodolfo Tonetti in the film adaptation of Gay Divorce, retitled The Gay Divorcee. This 1934 film marked his first major Hollywood role and showcased his comedic talents to a wider audience. The movie was a box office hit and received several Academy Award nominations, including Best Song for “The Continental”.
Rhodes' portrayal of Tonetti was a highlight of the film. His exaggerated Italian accent, combined with his impeccable timing and physical comedy, made his character one of the most memorable parts of the movie. The Gay Divorcee featured several iconic dance sequences between Astaire and Rogers, but Rhodes' comedic performance provided a perfect counterbalance to their elegant choreography.
Top Hat (1935)
Following the success of The Gay Divorcee, Rhodes appeared in another Astaire-Rogers film, Top Hat, in 1935. This film is widely regarded as one of the best musicals ever made, featuring unforgettable dance numbers and a delightful storyline. Rhodes played the role of Alberto Beddini, a flamboyant dress designer and another comedic character who added a layer of humor to the film.
As Beddini, Rhodes delivered one of his most memorable lines: "Never again will I allow women to wear my dresses!" His performance was a perfect blend of charm and absurdity, and he once again demonstrated his ability to steal scenes with his comedic flair. Top Hat was a major success, further cementing Rhodes' status as a talented character actor in Hollywood.
Other Hollywood Roles
In addition to his work with Astaire and Rogers, Erik Rhodes appeared in several other films and television series. His versatility as an actor allowed him to take on a variety of roles, from comedies to dramas. In a career that spanned from 1934 to 1976, Rhodes accrued 37 acting credits in film and television all while having an esteemed career on the Great White Way.
Return to Broadway
Despite his success in Hollywood, Erik Rhodes never abandoned his roots in theater. Throughout the 1940s and 1950s, he continued to work on Broadway, appearing in a variety of productions. His love for the stage and his dedication to his craft were evident in his continued involvement in theater.
Can-Can (1953)
One of Rhodes' most notable Broadway roles during this period was in the musical Can-Can, which opened in 1953. The show, with music and lyrics by Cole Porter, was a hit, running for over two years. Rhodes played the role of Hilaire, an art critic who hatches a plan to host a ball in order to win over a dancer at the dance hall. His performance was praised by critics and audiences alike, and Can-Can became one of his most enduring Broadway successes.
Jamaica (1957)
Rhodes also appeared in the Broadway musical Jamaica, which opened in 1957. The show, featuring music by Harold Arlen and lyrics by E.Y. Harburg, starred Lena Horne and Ricardo Montalban. Rhodes played the role of Governor Phillip Van Holton, a comedic character who provided plenty of laughs. His performance was well-received, and the show enjoyed a successful run of 558 performances.
A funny thing happened on the way to the forum (1962)
In 1962, Erik Rhodes added another significant role to his illustrious career by appearing in the original Broadway production of Stephen Sondheim's A Funny Thing Happened on the Way to the Forum, along with fellow Astaire and Rogers costar, Edward Everett Horton. Rhodes played the character of Lycus, the procurer of courtesans, delivering a performance that was both hilarious and memorable. His impeccable comedic timing and distinctive voice perfectly suited the farcical nature of the musical, contributing to the show's critical and commercial success. A Funny Thing Happened on the Way to the Forum became a landmark production, and Rhodes' portrayal of Lycus remains one of the standout performances in his extensive career on stage.
Later Years and Legacy
In the later years of his career, Erik Rhodes continued to work in both film and theater, although his appearances became less frequent. He remained a beloved figure in the entertainment industry, known for his distinctive voice, comedic talent, and memorable performances.
Television Appearances
Rhodes also made several television appearances during the 1950s and 1960s, showcasing his versatility as an actor. He appeared in shows such as "The Chevrolet Television Theatre," "Lux Video Theatre," and "Perry Mason." These appearances allowed him to reach a new generation of audiences and further demonstrated his ability to adapt to different mediums.
Legacy
Erik Rhodes passed away on February 17, 1990 in Oklahoma City, but his legacy lives on through his memorable performances in both film and theater. He is remembered as a talented and versatile actor who brought joy and laughter to audiences around the world. His work with Fred Astaire and Ginger Rogers in classic musicals such as The Gay Divorcee and Top Hat remains a highlight of his career and a testament to his comedic genius.
Rhodes' contributions to Broadway and Hollywood are a reminder of the enduring appeal of classic entertainment. His ability to bring characters to life with humor, charm, and elegance continues to inspire and entertain new generations of fans. Erik Rhodes' legacy as a beloved character actor and comedian is secure, and his work remains an important part of the history of American theater and film.
